MezzoProgram TV na Niedziela 22.12.2024
- 18:05Puccini's Manon Lescaut at the Opéra de Monte-Carlo
opera
Manon Lescaut 'Dramma lirico' in four acts by Giacomo Puccini (1858-1924) Libretto by Mario Praga, Domenico Oliva, Giulio Ricordi, Luigi Illica and Giuseppe Giacosa based on the abbé Prévost First performance in Torino, Teatro Regio, 1 February 1893 Orchestre Philharmonique de Monte-Carlo, Cheur de l'Opéra de Monte-Carlo, Pinchas Steinberg (Conductor) Stefano Visconti (Chorus Master) Guy Montavon (Stage Direction, lighting) Hank Irwin Kittel (sets), Christopher Kempf (Costumes) Anna Netrebko (Manon Lescaut) Claudio Sgura (Lescaut) Yusif Eyvazov (Des Grieux) Alessandro Spina (Geronte di Ravoir) Luis Gomes (Edmond) Rémy Mathieu (Dance Master) Luca Vianello (The Innkeeper) Loriana Castellano (a musician) Monte-Carlo, Opéra, 22 April 2022
- 20:30Handel's Messiah at the Coventry Cathedral
classical concert
The English Concert, John Nelson (Conductor) Lucy Crowe (Soprano), Alex Potter (Countertenor), Michael Spyres (Tenor), Matthew Brook (Bass) Georg Frideric Handel (1685 - 1759) Messiah Coventry, Coventry Cathedral, 24 November 2022
- 23:00Andrés Segovia at Los Olivos
classical music documentary
Segovia at Los Olivos Directed by Christopher Nupen In fact, in Western classical music, the achievement of Andrés Segovia is unique. As a boy in Granada, he was captivated by the variety of tone colours and the wealth of harmonic possibilities of the Spanish guitar and he saw a future for it that nobody had previously even dreamed of. On those seemingly slender beginnings he set out on a remarkable quest. Using the work done by Fernando Sor and Francisco Tarrega in the nineteenth century and adding the compositions of Johann Sebastian Bach, he began to build not only a career for himself, but to lay the foundations of modern guitar technique and the present-day international popularity of the Spanish guitar as a serious musical instrument. Within twenty years, Andrés Segovia had taught himself the instrument, revolutionised the technique and won acceptance for it on the concert platforms of Europe. He spent the next fifty years giving concerts in almost every part of the world and was at various times a resident of the United States, Switzerland and Argentina. At the age of 75, he returned to his native Andalusia with his young wife, Emilita, and built a new home, Los Olivos, on the Costa del Sol as close as he could to Granada. This film is made in the relaxed atmosphere of his new home and in Jaen and Granada where he spent his formative years. The idea is very simple: to give a great man an opportunity of looking back on sixty years of concert life and one of the most unusual contributions to Western music made by any performing musician in the last hundred years. Segovia talks in his inimitable poetic way about what he has tried to do, and plays some of the music most closely associated with him and his extraordinary career.
- 0:00Beethoven: Missa Solemnis - Jordi Savall
classical concert
Le Concert des Nations, La Capella Reial de Catalunya, Jordi Savall (Conductor) Lina Johnson (Soprano), Olivia Vermeulen (Mezzo-soprano), Martin Platz (Tenor), Manuel Walser (baritone) Ludwig van Beethoven (1770 - 1827) Missa solemnis op. 123 Dresden, Frauenkirche, 20 May 2023
- 1:14Daniel Barenboim plays Beethoven: Piano Concerto No.4
classical concert
Staatskapelle Berlin, Daniel Barenboim (Conductor and piano) Ludwig van Beethoven (1770-1827) Piano Concerto No.4 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
- 1:54Rivalry in Music - Schönberg vs. Stravinsky
classical music documentary
Rivalry in Music - Schönberg vs. Stravinsky At the beginning of the 20th century, two famous composers were at the avant-garde while being at the antipodes: Igor Stravinsky, elegant and sophisticated, who revolutionized rhythm on the one hand - and on the other the intellectual and misanthropic Arnold Schoenberg with his visionary 12-tone technique. What began as a respectful meeting between these two composers soon turned into a bitter rivalry that led to a fundamental debate about progress and truth in music. Directed by Sylvie Kürsten 2021
- 3:00Prokofiev: The Gambler - Salzburg Festival
opera
The Gambler Opera in four acts by Sergey Prokofiev 1891 - 1953 Libretto by Sergey Prokofiev after the novel by Fyodor Dostoyevsky Wiener Philharmoniker Timur Zangiev (Conductor) Konzertvereinigung Wiener Staatsopernchor Peter Sellars (Stage Director) George Tsypin (Sets), Camille Assaf (Costumes), James F. Ingalls (Lighting) Peixin Chen (The General) Asmik Grigorian (Polina) Sean Panikkar (Alexey Ivanovich) Violeta Urmana (Antonida Vasilevna Tarasevicheva) Juan Francisco Gatell (The Marquis) Michael Arivony (Mr Astley) Nicole Chirka (Blanche) Ya-Chung Huang (Prince Nilsky) Ilia Kazakov (Baron Wurmerhelm) Salzburg, Felsenreitschule, August 2024
- 5:00Daniel Barenboim plays Beethoven: Piano Concerto No.5
classical concert
Staatskapelle Berlin, Daniel Barenboim (Conductor) Ludwig Van Beethoven (1770-1827) Piano concerto No.5 KlavierFestival Ruhr, Germany, 2007 Directed by Andreas Morell
- 5:44InterMezzo
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